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Use the Art Search to search our collections database of 25,000 artworks in the WAG collection.

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"Ceramic"

Cup, Saucer

Quatrefoil shaped cup and saucer; figure and floral scenes on panels on alternating white and blue grounds; gilt abstract border decoration

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Cup, Saucer

Funnel shaped cup on a square pedestal base; floral polychrome decoration on a white border and gilt decoration on a red ground

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Teacup, saucer

Floral band decoration on a white ground; blue border with gilt decoration. Painted in underglaze blue and overglase enamels, with gilding.

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Teacup, saucer

Floral panel decoration; mazarine-blue border on a white ground, with gilded cross-hatching; cup has a flare rim and pedestal base.

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Bowl

Bulbous bowl on narrow circular foot covered in a russet glaze thinning to reveal the amber glaze beneath; black manganese stroke design on rim

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Covered jar

Bulbous shape with brown mottled glaze on grey

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Bowl

Pale green glaze; green band around base on exterior and interior at centre; painterly brown stroke through centre of interior

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Tankard

Single handled; printed in underglaze blue on white

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Sauce Boat

Moulded; shaped rim; polychrome floral decoration in relief

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Sauce Boat

Printed in underglaze blue with moulded rose motif. Heavily moulded floral sprays; painted underglaze spray under lip; interior - painted sprays throughout with cell border

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Butter tub

Branch and foliage applied handles on tub and cover. Floral spray decoration printed in underglaze blue.

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Tea bowl, saucer

Chinoiserie design printed overglaze in black and painted overglaze in enamels. Pattern: "Les Garçons Chinois" engraved by Robert Hancock after Jean Pillemont

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Plate

Painted in polychrome overglaze enamels. The pattern, generally referred to as tiger and bamboo, is taken from a Meissen plate, based on the original Japanese Kakiemon design. It is an example of a pattern that arrived indirectly, illustrating the influence of Meissen in the decoration of, in this instance, a Worcester plate. (Kathleen Campbell, Curator Emerita, 'Focus Four: The Translucent Quality', 2001.)

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Sauce Boat

Helmet-shaped with basket weave exterior relief-moulding reserving a chinoiserie scene within rococo scrolls; a fusion of Chinese content and the European rococo style. Decoration painted in underglaze blue.

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Teacup, saucer

Panels of underglaze rouge-de-fer (iron-red) reserving circles of chrysanthemums, alternating with overglaze enamel panels of flowers and prunus painted in the Kakiemon style. Vertical flutes, saucer deep, countersunk foot rim

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Plate

Blue floral painting in overglaze enamel on white ground; gilded; shaped rim. A replacement plate for a service from the French porcelain factory of Sèvres. The Sèvres mark is also reproduced. (as per Kathleen Campbell, Curator Emerita 2001, in 'Focus Four: The Translucent Quality').

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Tea bowl, saucer

Radiating panels painted in alternating underglaze blue and overglaze enamels.

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Armorial plate

Puce-colored vine-leaf border painted in overglaze enamels, with gilding. Gadroon rim; armorial at centre; Crest: an eagle rising (unattributed).

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Bowl

Painted in overglaze enamels.

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Trio

Elaborate decoration painted in underglaze blue and overglaze enamels and gilding. Pattern is a composite "Japan" design.

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Coffee cup, saucer

Printed in overglaze jet (black) enamel. Pattern 'L'Amour' from a design by C.N. Cochin, published by Francois Vivares (1707-1780) c.1745, and engraved by Robert Hancock (1730-1817).

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Plate

Scalloped edge; painted in an underglaze blue that attempts the original Kangxi sapphire blue. 'The Hundred Antiques': Chinese objects with ancient religious or mythological significance, taken from a Kangxi period design, 1662-1722. The mark is unique to this pattern and imitates the Chinese.

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Jug

Bulbous shape slipware jug; brown and yellow glaze; two dark brown bands of concentric incised lines; brush strokes in brown slip; strap-form handle

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