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Colourless camphor moulded glass vase with matt finish and clear glass rim
Bowl of the dish is rounded at the base and the rim is outward curving in six flutes; white exterior and gold iridescent interior. Steuben "Aurene" glass.
A slightly domed circular base; the lower section of the stem of candlestick is cylindrical, the upper area expands forming a double cylinder in twisted form; the candle socket is bell shaped. Gold iridescent finish. Steuben "Aurene" glass.
The vase has a slightly raised circular base; the bowl area is rounded at the base and flares outward at the rim, in trumpet form. The contrast beteen the white exterior and the gold irridescent interior is effective. Steuben "Aurene" glass.
The body of the vase is of pale green, slightly opaque glass. The base is circular and pulled thread-like patterns cover the entire vase area, giving the surface an irregular design. The lip and three applied handles are in blue irridescent glass. The lip is outward curving. The lip is fire-polished. The handles, applied in a scroll design near the base, curve away from the vase, reattaching in a three flute design just below the expanded bowl area at the vase rim.
Small gourd-like shape with turned-over rim showing irridescence. Main body in moulded vein design with slight gold irridescence. Three freeform vertical applied designs around body of vase, in a crimped pattern, which highlight the gold irridescence. Applied threads of glass are in vertical line from lip to bottom section where they terminate in an applied blob of glass.
Richly coloured orange and blue/green irridescent glass vase with two applied green irridescent leaf-shaped handles rising from the circular base. The leaf-handles curve outwards from the base of the vase, reconnecting around the main body to form the handles. The rim is evenly fluted
The vase, in the style of Loetz, is irridescent, multi-coloured with yellow, green, mauve tones in pulled thread predominating. The sides have 4 concave panels, similar to "swing" vases. The rim is fluted. There are air bubbles in the glass. The vase has been drilled, resulting in two bad cracks and one lesser, in the base
Amber iridescence with large-scale purple veining - design trailing at random; amber ground has a crackled effect, achieved by faint, more compactly designed vertical shaped veining; vase is cylindrical tapering gradually from base to rim
Ship's decanter-shape or shallow baluster-type in opalescent glass; iridescent around base with red pulled design extending into neck; elongated neck and outward flared rim are opalescent.
Vase curves in to form a straight cylindrical neck of about 1.5 cm.; flat cut rim; deep purple iridescence with applied white trailing lines imbedded in the surface and taking on the iridescence; shading to green and bronze; deep, dense matt colour
Round, ball-shaped base with an extended neck; flat-cut rim (could have been shortened from original height); yellow iridescence is a deep buttercup yellow; 6 lines in relief, rising from the base and extending the height of the vase in a diagonal twist or swirl design; lines pick up the gold iridescent colour
Gourd-like in form with outward curved, flat-cut rim; gold iridescent; shading purple and green; surface of vase has a cracked gold finish
Round form with outward curving rim; aqua green iridescent glass, with pulled burgundy red and white design from centre base extending to below outward curve of rim
Square shape, tapering slightly to irregularly fluted rim; four very definite downward curved flutes at centre of each side; there is a large concave indentation below each main flute; the iridescence is gold over clear glass; decorated with burgundy pattern in a mottled effect. Ground pontil on base. Fire-polished lip. Surface inlaid with burgundy-coloured glass pieces.
Iridescence in the hollow, round-edged base; main body is of green glass with darker green ribbed effect in a slightly swirl design; brass collar is stamped out in a diamond-shaped pattern; original mesh has been replaced with a substitute
The 8-sectioned lower part of the bowl expands in a round outward curving form with flated and slightly fluted rim; glass is iridescent with gold lustre. Tiffany "Favrile" glass. Base has polished pontil.
Gold iridescent "Favrile" glass in a slightly waisted form with an a applied band of horizontal parallel glass threads
Shallow bowl with indented rim (ten) forming an irregular scalloped form; gold iridescent "Favrile" glass.
Circular base tapering to rim with very slightly waisted form; decoration around the base; gold lustre pulled feather design. Tiffany "Favrile" glass.
Classical urn-shape in blue iridescent glass (which is rarer than the gold iridescent) with applied scroll handles, attached to the body of the vase in a slightly scallop-shell design; lip of the vase opening is slightly flared. Tiffany "Favrile" glass.
Cylindrical two-layer opaque glass vase, acid-etched (hydrofluoric acid), with a stylized-abstract-chrysanthemum repeating design in deep purple, combined with four vertical bands from base to rim. The purple is polished to give a smooth bright finish. An additional acid bath was used to etch the final decorative touches to the outer layer.
Iridescent cranberry coloured glass; The vase has an irregular form, from indented (pinched) design around the main body. There is a base metal mount over the rim. The metal mount was originally in the form of three dragonflies, but one has been broken off. The mount is in the Art Nouveau manner
Opaque yellow glass vase, with brown bands from centre base in vertical and irregular design. Cased in clear glass. The vase is formed in three graduating stepped sections from the base, the lower section being the smallest. Flat-cut rim. The design is Art Deco.
Iridescence is gold with purple and green shading. The vase has a circular, footed pedestal bowl with turned over and outward flaring rim. The iridescence is slightly mottled, but smooth in turned over rim area
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