Ornamental design around standing man holding oversize palette looking down at upright paint brushes between his feet

Notre - Dame Paris

Album leaf: peasant man and woman in b.r. foreground in front of Notre Dame Cathedral

Untitled (Landscape with Trees - State V)

A landscape showing three large barren trees in a snowy field with footprints in the snow in the foreground.

Untitled (Landscape with Trees - State VII)

A landscape showing three large barren trees in a snowy field with footprints in the snow in the foreground.

Untitled (Trees)

A landscape showing several barren trees grouped together.

Untitled (Gully)

A landscape showing a barren and rocky hill. There is a fence at the end of the small gully on the left side of the print. At the top of the bully there are two leafless trees. Tufts of grass are visible over the crest of the gully. There is also a large clump of dirt with roots protruding from it, on the left side of the print.

Untitled (Uprooted Tree)

Uprooted tree, with bare branches lying in snow; cluster of farm buildings(?) in upper right background

A nude woman seated on a chair covered with cloth.

Untitled (Woman Sitting - Nude)

A nude woman seated on a chair covered with cloth.

In b.c. foreground, man in top hat, with stick over left shoulder, walking along country road; large trees at right of path

Untitled (Bowl of Apples and Tree)

Untitled (Trees and Houses)

Trick

A landscape showing a view of a golden wheat field from a window. There is a row to trees on the horizon and reed blinds at the top of the print.

Four

Nite Kite Flight

A colourful abstracted composition consisting of a cube in the centre with two of its sides opened out toward the viewer. A landscape of a grassy field with a creek on a cloudy day is depicted on the cube.

Summerfield

A landscape of a grassy field on a windy and cloudy day. The composition forms lips. The clouds form the upper lip and the grassy field forms the bottom.

Embossed Serigraph

The Group

Embossed Serigraph

White Sky

Embossed Serigraph

White Sphere

Embossed Serigraph

Bookplate. An unfinished tapestry depicting a royal scene, in front of a window

Carpe Diem (A Victorian Still Life)

Colour litho. & serigraph; a candle, plant, picture, books & hourglass on the corner of a table, covered with a table cloth

Untitled

Man, wearing striped pants, carrying a braided rug

An interior of one of three rooms of a house in Abitibi, Quebec, which is decorated with an over-abundance of Christmas decorations and other paraphernalia

Three nuns boarding the ship ‘President’ in Shanghai, China

Lobby containing oval desk, two chairs and a small table; ivy on floor

Office and Warehouse, Canadian Wildlife Association, Ottawa

Office with desk and chair in corner; branch and plant on floor; rack with birdhouses hanging from it; wall mural showing flying geese

Untitled

Ex Luce

Portfolio

Beige linen portfolio containing 28 prints and one descriptive page. Cyrillic alphabet is used, except for the descriptive page which is in Cyrillic alphabet and English alphabet

Frontispiece

Tevyeh

Title Page

Golda

Index page

Untitled (Shadow Line)

Configuration of Space No. 55

Untitled (Toujours flagellé)

Dimensions no. 5

1 cent Life

Portfolio containing lithographs, reproductions and poems as follows; Original Lithographs: 3 - Alan Davie, 3 - Alfred Jensen, 6 - Sam Francis, 6 - Walasse Ting, 1 - James Rosenquist, 5 - Pierre Alechinsky, 6 - Kimber Smith, 2 - Alfred Leslie, 1 - Antonio Saura, 1 - Kiki O.K., 2 - Asger Jorn, 2 - Robert Indiana, 2 - Jean-Paul Riopelle, 5 - Karel Appel, 2 - Tom Wesselmann, 1 - Bram Van Velde, 1 - Joan Mitchell, 1 - Allan Kaprow, 1 - Andy Warhol, 1 - Robert Rauschenberg, 1 - K.R.H. Sonderborg, 1 - Roy Lichtenstein, 1 - Oyvind Fahlstrom, 1 - Reinhoud, 2 - Claes Oldenburg, 1 - Jim Dine, 2 - Mel Ramos, 2 - Enrico Baj; Reproductions: 1 - rose by Roy Lichtenstein, 1 - tireur de langue by Pierre / Alechinsky, 1 - typograph designed by Gustave / Mignot, 1 - silk screen printed at Atelier / Ravel, Paris, 1 - after Callot, 1 - american advertising (assemblage / of images), 1 - japanese advertising, 1 - french advertising, 1 - french post card, 1925, 1 - photograph by Walasse Ting, 1 - french advertising, 1928, 1 - french postage stamp, 1946-47 / photographs of contributing / artists (assemblage of photos), 5 - hand engraving in stone by / Paul Loyer, 3 - chinese seals made by Irving Groupp; Poems by Walasse Ting: - what is small business, - new york city and little camellia, - why die; - mad thought in barber chair, - rainbow world, - 7 indigo flowers left home, - happily and long into the night, - psychiatrists' notes, - casanova lose face, - secluded sadness, - love in afternoon, - yes babies, - night why i dead skeleton, - ten cents a day, - forty caterpillars dance thirty-nine years, - girl next door, - orange naked woman, - 100% nonsense, - opium flowers blossoming in my heart, - dans la rue saint denis, - hundred flower garden, - international cuisine, - so many lonely, - sun in stomach, - he who must die, - chinese magician, - stomach sunk in whisky, - go back infant, - hungry men, - defense d'uriner, - dedicated to alechinsky, - i become green grass soon, - love from a shell, - i meet my sweetheart and my godfather, - if i love god, - sun, - evolution, - black stone, - a letter to god, - the last day of myself, - jade white butterfly, - you do not know what means, - new must come, - around the u.s.a., - my dear white skeleton, - sign in street, - long way to far rockaway, - fantastic fancy family, - second hand rose lying second avenue, - all kinds of love, - ciao, angel, - take good care of self, - a baby is born, - a dream, - i am fall in love, - america, - big universe not empty, - she, - a mantis catch a bee, - universe in man, - everyday i look self in mirror

La Belle et la Bete

Untitled (Fire Angel)

A tiger is in the foreground; a river and trees are in the background

The Green Dale Oak at Welbeck

Sylva Britannica OR PORTRAITS OF FOREST TREES

Half leather bound volume of etched lithographs including 50 full page etchings with descriptive text, frontispiece and title page

A pool at the base of a large staircase and archway; statues of people and frogs adorn pillars at intervals along the walls

Soldiers in foreground; bombed and burning buildings in background

Untitled (Cambrai)

Le Jugement Dernier V

Abstract composition

Untitled (The Deposition)

Holy woman supporting Christ's body; on left of print, Virgin Mary is swooning into arms of holy woman; two other holy women and four disciples in background fifth disciple stands in foreground on the right

Untitled

Abstraction of female figure into basic geometric shapes

Depression

Young boy leaning against fence; small dog at his heel

The Little Dock

A view of a little boy standing next to a small wooden dock with three row boats tied to the dock.

Untitled (Church "Evening")

The Window

Untitled (Aeroplane)

The Fish Houses, Lake Winnipeg (Dog Head, Lake Winnipeg)

A view of fish houses on Lake Winnipeg. There are several large fish houses connected to a dock on the lake. A man is paddling a canoe heading toward the shore. In the background a forest of Jack Pines is visible.

Two boats mooring by several structures on a riverbank;old barrels, man with horse and cart in midground

Homestead

Two log houses with hills in background;portions of fence visible in foreground.

Geometry

Soaring Birds #1

Soaring Birds #2

Soaring Birds #3

Bird-like image at top centre of work, fan-like image below;various horizontal and vertical imas on sides and bottom

Spring

Composition of strong vertical and horizontal lines possibly depicting fence in the foreground; triangular shape in right foreground with squ square archway(?) directly above it

An anachronistic scene depicting two Renaissance figures, a man and woman, standing in a graffiti-ed alley.

Head and shoulders portrait of Karen Kain with back of hands on either side of her face

Hidden Freedom

The work reflects Dimock's style in its emphasis on shapes/forms and applied colour. Her approach is spontaneous and intuitive. The work plays with black and grey shapes.

Adam and Eve

Full length portraits of nude man and woman

Landscape scene with Mount Cathedral in the background and Lake O'Hara in the foreground.

Lella (Lella, La Bretagne, France)

Half length portrait of a young girl with long wavy hair, wearing a transparent blouse. The figure is turned slightly and is looking to her left. Another young girl is in the background, at the left side of the work, just over the main figure's shoulder.

Daytona

A beach parking lot with a young man seated on a Harley-Davidson. Parked cars, people and ocean in background; wooden pier to right.

Road Sweeper, London

Full length frontal portrait of a uniformed road sweeper holding a brush

Dorian Leigh, Schiaparelli Rhinestones Pre-Catalan,Paris,August 1949

Head and shoulders portrait of Princess Margaret. The Princess' head is turned slightly to the left towards her husband, Anthony Armstrong Jones. Both figures are in evening dress and are laughing. Photograph is intentionally blurred and quite grainy.

Martha Graham, Frontier, 1935

Portrait of the Dancer, Martha Graham, in dance position (left arm raised and left leg extended), at the barre. Figure is barefoot and wearing a hair band, a short midriff jacket and long dress

His Serene Highness, Prince Robert de Rohan Courtenay

Portrait of a foppish male in formal dress and bowler hat, wearing humourous medals and chains. Figure is reclining on a divan, upon which has been thrown numerous brocaded cushions and rugs. In his right hand, the figure holds a cigarette holder and on his lap rests a walking stick (sceptre?). The background wall si cluttered with numerous portraits and hangings. The entire setting is somewhat opulent, yet decadent

Untitled (Albert Einstein, Princeton, NJ)

Half length three quarter turn portrait of Albert Einstein wearing a leather jacket, seated in a chair with a fountain pen in his proper right hand

City and Beach

Photomontage of people at a beach and high rise structures

Untitled (A Mineral Spring at Spa)

View of a large gathering of people in a landscape setting at he Geronstere mineral spring in Spa (Belgium)

Untitled (The Battlefield)

Mounted troops sweep past in the background, banners flying while in the foreground a mounted officer, his horse shying warily, inspects a partially clad dying figure

Brackline

A rushing waterfall set in a wooded landscape

Portrait of a female with bare breasts. The light is playing over the subject creating a patterned effect.

Mounties & Indians

Rectangular piece of blue plexiglass divided in half. Adhered to top half is a colour photograph of six people. It is a full length frontal portrait of two mounties and four natives (two female and two male) standing on a sidewalk. The bottom half of the work bears the words : MOUNTIES & INDIANS (in yellow, white, and grey).

Waist length portrait of a bearded man, in period dress, holding a book in clasped hands

Elector Ioachimus March Brand

Waist length portrait of a bearded man in period dress

Gervase Babington, Bishop of Worcester

Waist length portrait of a bearded man, in period dress, holding a book in his hand (portrait of Gervase Babington, Bishop of Worcester)

Christ and His Apostles on the Mount of Olives

Christ, together with his Apostles, on the Mount of Olives.

Woman in floor length garment holding a fishing pole with a fish on the end of it in her left hand. Behind her, in her right hand, is a small, structure open on all sides except one. This one side is framed and open in the centre Woman in floor length dress wearing a crown. In her right hand she is holding a bunch of grapes; in her left, a short staff.

In foreground, man and woman walking together down a path flanked on either side by grass and flowers. Both are dressed in black, but the woman has a red apron over her floor length dress. The path leads away from a building with two tower-like structures. There are trees and hills in the background.

The Summer Script I

Series of 6 photographs showing a man and woman seated outdoors at a table.

(a) Forest with large trees with clearing in the centre (b) Forest with large trees in foreground; Reclining on side of a hill at right, are 3 men; In the distance, in a clearing are a man & woman walking side by side (c) Large tree in left foreground; In the centre of image, is a clearing with a man and sheep with an image of a black and white tree superimposed just above them; superimposed on centre of the work is a grid forming 9 squares

A North West View of Prince of Wales Fort in Hudson's Bay, North America , by SamL Hearne, 1777

Fort Prince of Wales over which the British flag is hoisted. In the background teepees are visible, as are ships which are anchored in Hudson's Bay. In front of the fort, are a soldier and a woman. In the background are men with rifles shooting at birds in the sky.

Seashore with waves rippling onto sand with large rock

Joseph, Utah, June 1983

Street scene in Joseph, Utah; pick-up truck parked on gravel road with tree-lined street with houses in background

Interior of a now deserted nursery school in Pripyat, Ukraine. Toys, chairs and mattresses are strewn over the floor.

Group of people viewing Charles Orchardson’s “A Problem in White” which depicts a woman dressed in long, flowing white dress sitting on the edge of a bed looking at her child. In the left foreground is a statue in draped clothing. His hands are holding up the edge of the fabric to shield his face. One man is photographing the statue; another is holding what appears to be a paintbrush. “Problem in White” is in the collection of the Winnipeg Art Gallery.

Black and white photograph of cylindrical industrial buildings. Superimposed over image: dark flower-shape.

A woman (Rosalie Favell) in contemporary clothing laying in a bed, covered in a Hudson’s Bay blanket, awakes. On the wall above her bed is a picture of Xena, the warrior princess. Looking through an open window behind her is Louis Riel. By her bedside, four men and a woman in historical clothing look on. The artist and blanket are rendered in colour; the balance of the image is in black and white.

Sunrise

Woman (Rhoda Colville, artist's wife) paddling a canoe at sunrise at their summer cottage at Evangeline Beach, near Wolfville, Nova Scotia

Winter scene with snow-covered fir tree in foreground and leafless tree next to it.

Visible Difference

Five etched glass disks, each with a portrait of a man, are laid out on the floor. Each disk is supported on one side by a book.

500 Year Itch

Three individual, full-length photographs of a woman, from left to right as follows: Hand coloured photograph of a woman wearing a blonde wig and a sleeveless, low-cut white dress with a full skirt, à la Marilyn Monroe. On the floor is a fan which has been positioned under her dress causing it to billow out. Sepia toned photograph of a woman in a back yard. Behind her is clothes line and a fence. Her clothing appears to be c. 1940s. Black and white photograph of a barefoot woman wearing glasses and dressed in a contemporary shirt and trousers. There are deliberate, round perforations in the mat.

Bird's eye view of oil fields in Texas City, Texas

Numerous leafless trees

Self-portrait of the artist sitting in a wooden chair. A leather strap secures her hand on one armrest, while the strap on the other armrest secures an animal's hoof. What appears to be a row of fish with very long tails are suspended in front of her

Manitoba Government Tourist Information sign together with government logo and Manitoba Government Tourist Bureau building near Pembina, North Dakota

Solitude

House on a hill framed by trees

Mountain Vision

Mountain landscape

Hillside, Los Angeles

Houses on a hillside in Los Angeles, California

Road in Wisconsin

A road, with a railing on each side, in Wisconsin

Untitled

Abstract composition

Head and shoulders portrait of a blonde woman in her dressing room preparing herself to go on stage.

Mahogany, 4 years

Head and shoulders portrait of a woman with long, black hair, wearing gold hoop earrings and several gold rings, applying lip gloss in her dressing room preparing herself to go on stage. A tattoo is visible on her upper chest.

Plastic figurine of a First Nations man holding a rifle in the Winnipeg Railroad yard. Behind him is the Arlington Street Bridge.

Folded Arms at Winnipeg Railroad Yard

Plastic figurine of a First Nations man with his arms folded in front of him. Behind him is a train with containers on flatbed cars in the Winnipeg, Manitoba railroad yard.

A young boy, Bear Thomas, the artist's son, standing in front of the plaque commemorating Indian Treaty No. 1 with his back to the viewer

Water

Abstract composition representing water. The print is bound into the Verve periodical and is on page 6.

Air

Abstract composition representing air. The print is bound into the Verve periodical and is on page 11.

Fire

Abstract composition representing fire. The print is bound into the Verve periodical and is on page 34.

Earth

Abstract composition representing earth. The print is bound into the Verve periodical and is on page 39.

Comets

Abstract composition representing comets. The print is bound into the Verve periodical and is on page 96

Stars

Abstract composition representing stars. The print is bound into the Verve periodical and is on page 94

Strange Scene

Heavy weight, white Japanese paper

Color lithograph

A shaman appears to be dreaming of animals, a caribou and a bear, shown sleeping with him.

Caribou hunt

Bear people sharing some fish

The Beast

Drum Dance

Drum dance

The Herd

Iksiktaaryuk's linear graphic style seems to derive from prehistoric engravings on walrus tusk. Figures are shown in profile in a spontaneous manner. There is a sense of exhuberance in this print of the happy image of many caribou. Two over sized birds are humorously placed looking away from the caribou (perhaps at the pursuing hunters).

Qiviuq, His Wives and Children

Tagoona's graphic style is usually very detailed, describing traditional stories and legends. In this work he represents the Inuit hero Kiviuq in a schematic manner. The design is effective as the bird-people soar out, as though they are lifting Kiviuq himself towards the sun.

Flying South

Ravens

The Flood

Several hunters in kayaks attempting to harpoon large fish;large owl in centre of composition.

Umingmak, Animals Afraid of Animals

A large horned animal with five dog like animals inside it.

Hundreds and Hundreds, Herds of Caribou

An image of plentitude in nature becomes a rythmic pattern with much visual impact. Although the caribou are static, the curving antlers sway in movement expressive of a walking herd.

Human Water Worms

Forms are seen in profile with clear, curving outlines. Figures with human heads and worm like bodies are interspersed with two smaller figures which have bird like heads.

Fishing in a Rock Dam

Janet Kigusiuq usually interprets bustling camp scenes and legends with a delicate linear drawing style. Solid areas of colour have been used as background in this print, with figures left white. Multiple viewpoints have been used to give the most explicit information about this scene at a fishing weir.

Men trying to best each other in tests of strength.

Composition in Green

Ducks and Young

Ducks and young

Little Circle

Conversation with Foxes

Canada Goose Nesting

Canada Goose nesting

black

Brown, yellow, red, blue, ochre; on laid Japan paper

Grey, green, yellow; on laid Japan paper

Hunter Preparing Pack

Olive green, brown; on laid Japan paper

Fleeing Spirit

Green, black, yellow; on laid Japan paper

Spring Visitor

Seabeasts

Green, grey; on laid Japan paper

Hunter with Caribou Head

Black, green; on laid Japan paper

Family with Walrus

Black, red, green; on laid Japan paper

Summer Campers

Brown, black; on laid Japan paper

Old Women Speak of Owl

Blue, black, brown; on laid Japan paper

Summer Caribou

Green, blue, black; on laid Japan paper

Women Playing with Bear Cub

Black, brown, blue, yellow; on laid Japan paper

Weir at Shartoweetok

Black, green, blue; on laid Japan paper

Igloos at Ikerasak

Black, blue, brown; on laid Japan paper

Family Camping in Tuniq Ruins

Qumuaqataijut (Blanket Toss)

Black, brown; on wove paper

Summer Caribou

Brown; on wove paper

Canada Geese Mating

Tuttu (Caribou)

Brown, yellow, black

Omimmuk (Muskox)

Brown, yellow, black, red

Summer and Winter

Blue, brown, black

Caribou in the Hills

Black; on laid Japan paper

A dog and seagull rendered in blue

Black on laid Japan paper

Shaman's Costume

Greys, blues, reds, on mulberry paper

Brown on laid Japan paper

Untitled (Wizard's Legend)

Untitled (Stretching Skin)

Walrus Hunter

Vision of Two Worlds

A figure and tethered dog ride atop a muskox in foreground. In background, a blue airplane flies over a mountain.

Blue

A gaunt-faced man seated in front of a small bonfire

blue

Black woodcut depicting hunting scene. Hunter at right centre within landscape which is covered in bear tracks. Oversize bear appears to be surrounding the scene, bear head visible at b.l.q. and a paw appears at each top corner.

A single figure with a large oval-shaped head, composing the upper portion of the print. Head has white spiked hair. Two hands are disconnected from the figure’s body, situated at either side of the figure. Broad horizontal lines surround the shoulders and upper body. The same broad line is at the wrist of each hand. A grid pattern is below the face, between the horizontal lines. A similar linear pattern creates the mouth.

Four beluga whales - two grey and two green

Underwater depiction of female figure surrounded by animals (from top, clockwise: narwhal, walrus, polar bear, fish, seal, whale). Colours used are blue, black, brown, grey, yellow, pink, aqua.

Aya-ya (song & dance)

Central image of figure standing (with face in shadows of hood; hands and boots depicted) drumming hand-held drum. A howling wolf is depicted on the face of the drum. At l., another figure (head and fur collar depicted) sings. At r., there is a third figure with tattoed face (head, fur collar, mitted hands depicted) wearing a loon cap. In the background, there is a landscape with black clouded sky and full moon, with mountains to the left. On a snow-brick wall (igloos?) two wolves stand in the mist. A third wolf sits further back, howling, and on the r., a polar bear sits. An owl flies in the sky at image centre. Colours used are black, grey, brown, aqua, yellow, orange.

With Open Mind

Two walruses, one of which has a human arm, on an ice floe

Two Girls Asleep Under Their Caribou Skins During the Famine at Padlei, NWT

Two girls, Pipkaknak (Pip’s) daughters, Agartook,18, and Keenalik, 9, asleep under their caribou skins during the famine at Padlei, NWT

Hippopotamus in a Washington, D.C. zoo

Müde

Self-portrait of the artist, with a very tired appearance, holding his head in his hand.

Have A Nice Day

Head and shoulders portrait of a sad alien

Suite Général

Suite Lac-aux-Puants

Les Saisons de Saint-Cyr-en-Arthies

Saint-Cyr-en-Arthies, France depicted during the various seasons

Hibou (Parler de Corde series)

Semi-abstract depiction of an owl

A large goose superimposed on a pond

Les Oiseaux

A flock of geese

Échassiers

Two large birds in the foreground; smaller ones behind

Auprès de mon lac

Les Péniches

A cluster buildings with a church

Nude male and female figures possibly having intercourse at night on the beach. The moon and clouds are visible in the background.

Fleurs Et Masques

Portfolio consists of portfolio book and sixteen silkscreens. The prints were originally in between the book leaves however they are now matted separately. (1) The portfolio book is tan and has ‘Gino Severini/ Fleurs Et Masques’ printed on the top, centre of the cover. Inside the book there are twelve pages. The first three pages are blank, followed by a title page which reads, ‘Fleurs et Masques.’ The following page reads, ‘Fleurs et Masques, Londres, Frederick Etchells & Hugh MacDonald, 192 Church Street, W.8, 1930.’ The next page reads, ‘Justification du Tirage, Il a ete tire de cet album 125 exemplaires sur papier Lafuma muerotes de 1 a 125, No. 21.’ The next page, the table of contents, reads, ‘Table des Matieres, 1. Prelude, 2. Polichinelle au Livre, 3. Les Pigeons et la Raisin, 4. Le Concert, 5. Nature-Morte qu Compas, 6. Serenade à la Lune, 7. Nature-Morte (Fleurs et Masque), 8. Les Amours d’Arlequin, 9. Enlevement d’Europe, 10. Arlequin au Repos, 11. Compotier et Colombe, 12. Maternite, 13. Nature-Morte au Pigeon, 14. Les Prouesses d’Arlequin 15. Paysage et Nature-Morte sur une Table 16. Epilogue.’ The following page reads, ‘Cet album a ete enlumine et termine, en Septembre, 1930 par le maitre J. Saude a Paris. Printed in England by the Pelican Press 2 Carmelite Street, E.C. 4 on paper made in France. The next four pages are blank; (2) ‘Prelude’: An abstract geometric form in pastel purple, blue, and pink with a bouquet of flowers on a black triangle in the centre. ‘Prelude’ is printed at the top of the print; (3) ‘Polichinelle au Livre (The Clown and the Book)’: An abstracted image of a seated clown reading a book, looking over to the acoustic guitar to his left; (4) ‘Les Pigeons et la Raisin (Pigeons and Grapes)’: A still-life of two pigeons perched on a table next to a bowl filled with grapes and pears; (5) ‘Le Concert (The Concert)’: A group of three musicians are seated on a large rock playing music. The woman, standing in the background, is playing a lute. The figure seated on the left is playing an acoustic guitar and the figure on the right is playing a clarinet type instrument; (6) ‘Nature-Morte qu Compas (Still-Life with Compass)’: An abstracted and flattened still-life with a lute, a vase of flowers, a protractor, and a drawing compass on a table. Below the still life is a landscape with some buildings surrounded by trees; (7) ‘Serenade à la Lune (Serenade to the Moon)’: Two clowns are playing music outside at night. The leftmost clown is seated and playing an acoustic guitar while the right clown is standing and playing a lute; (8) ‘Nature-Morte [Fleurs et Masque] (Still-Life [Flowers and Masks])’: A still-life on a table with masks, flowers, sheet music, a piccolo, a violin, and a ukulele; (9) ‘Les Amours d’Arlequin (Harlequin Romances)’: A clown holding a lute has his right arm around a woman’s waist. The woman is holding an acoustic guitar. A piece of sheet music is on the ground and cupid flies above the two figures with an arrow in his hand, ready to shoot; (10) ‘Enlevement d’Europe (Rape of Europa)’: A depiction of the Greek myth of Europa. Europa lays across Zeus in the form of a bull while three cupids fly around the two central figures; (11) ‘Arlequin au Repos (Resting Harlequin)’: An abstracted clown is holding an acoustic guitar by the neck in his right hand; (12) ‘Compotier et Colombe (Compotier and Dove)’: A still-life with a dove perched on the edge of a compotier which holds grapes and a pear. Surrounding the compotier is a book, a piece of paper, and a bunch of grapes; (13) ‘Maternite (Motherhood)’: A seated woman holds a small child up to her chest; (14) ‘Nature-Morte au Pigeon (Still-Life with Pigeon): An abstracted still-life with a pigeon, sheet music, grapes, and a violin; (15) ‘Les Prouesses d’Arlequin (The Prowess of Harlequin)’: Harlequin is trying to subdue a rearing horse that a scared or fainting woman is riding. A lute and sheet music lie on the ground beneath the horse; (16) ‘Paysage et Nature-Morte sur une Table (Landscape and Still-Life on a Table)’: A still-life of a lute, grapes, pears, apples, sheet music, a human head, and a compotier on a table in front of ancient temple ruins of Ionic columns supporting an architrave and frieze; (17) ‘Epilogue’: A woman holding flowers is standing behind a large round object in the background. A clown is seated in the foreground holding a gigantic drawing compass.

The Raft of the Medusa (100 Mile House) 4

Untitled (Video Scroll Poem)

Various Images of Chinese letters, a geisha together with three women who are nude from the waist up.

Fingerprint

Fingerprints of various individuals such as artist Joe Fafard and Winnipeg Art Gallery photographer Emeritus, Ernest Mayer, together with other visitors to the WAG

Untitled (Baker Lake)

Wedding portrait of a bride and groom, together with their best man and maid of honour. A young girl stands beside them dressed in traditional attire.

Vista of the Inuit community of Kangirsuk (Payne Bay), Nunavik, nestled within the Ungava Bay’s region rocky and snowy terrain. Inhabitants are pictured amongst their homes engaged in daily activities: children race bikes and play, building materials and oil drums lie in piles in the foreground, the snow melting around them.

Black Dogs: Series Two

Close-up portraits of sixteen black dogs of various breeds on black backgrounds. Name of each dog as follows: Passion (1), Bentley (2), Mercedes (3), Max (4), Tommy (5), Mulan (6), Belle (7), Salem (8), Sasha (9), Dallas (10), Dirk (11), Raymond (12), Dharma (13), Taka (14), Madison (15), and Rilie (16).

Man walking from church with tall bell tower; sheep under a large tree adjacent to the church

Untitled (Decrepit Buildings)

View of a crumbling building, surrounded by trees, with a collapsing roof

Cairo

Street scene in Cairo of figures standing and sitting at ‘Saleh Ibrahim’ gate

St. Norbert, Manitoba

Wooden bridge at St. Norbert, Manitoba over either the Red River or LaSalle River

Untitled (Figures beneath Building)

Building with three figures underneath it

Untitled (Manitoba Landscape)

Landscape with trees, open field and cows in Manitoba

Untitled (Lake Louise)

Lake Louise, Alberta, with tree and snow covered peaks in the background

Untitled (Horses)

Four work horses outside a barn.

An Early Start, 1836

Red River cart with snow in foreground; Guard tower - possibly Upper Fort Garry - with figure in doorway. Two more figures are attending to a sled pulled by dogs.

A Bank of the Assiniboine

Fences and steps leading from a small house on a bank of the Assiniboine River, Winnipeg, Manitoba

At Neals Boatyard

Three boats moored at dock on the Red River, Winnipeg; Redwood bridge and buildings in background.

Athabaska Vallery

Stylized landscape of the Athabaska Valley with bushes, tree, lake and mountain. [Preparatory sketch for Athabaska Valley (G-92-273)]

Athabaska Vallery

Stylized landscape of the Athabaska Valley with bushes, tree, lake and mountain.[Preparatory sketch for Athabaska Valley (G-92-273)]

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"Print"

The University, Glasgow

Woolworth Building New York

Untitled (Factory on the River)

Untitled (Rustic Scene)

Untitled (Dutch Girl)

Rochester Cathedral

Untitled (The Blacksmith's Yard)

Untitled (Train Siding)

Farm Children - 1941

Untitled (Portrait of Jules Dalou; Man's Head)

Untitled (Sheep)

Untitled (River Scene; River Boats)

The Red River at Winnipeg (Red River #3)

Mountain Torrent

The Vapours Round the Mountain Curled

Book Worm (2)

Untitled (St. John's Cemetery, Winnipeg)

Untitled (St. Margaret's Westminster)

Untitled (A Festival Day on the Ganges)

Untitled (Sussex)

Union Station, Winnipeg (C.N.R. Station, Winnipeg)

Ergo Sum

Distengration

Contrabasso

The Health House (Paraphrase)

Red Figures

Of the Meadow

Henrietta, Duchess of Orleans

La Caille

Bridge of Earn (5 Sketches of Scenery in Perthshire)

Scone Palace (5 Sketches of Scenery in Perthshire)

Dublane Cathedral (5 Sketches of Scenery in Perthshire)

Perth (5 Sketches of Scenery in Perthshire)

Sketches of Scenery in Perthshire (5 Sketches of Scenery in Perthshire)

Untitled (Actor; Drawing of a Man)

Untitled (Hunter on Horse on Sea-shore)

Untitled (Two Swordsmen)

Untitled (Warriors on Riverbank)

York Boat on Lake Winnipeg

LE PRÉVENU (bas à l'avocat). - Tout ça a l'air d'ennuyer le Président, vous devriez bien lui dire de me renvoyer à mes affaires.

La cour ordonne que le cheval et le cabriolet de Robert-macaire seront vendus au profit du sieur Dindonneau jusqu'à concurrence de la somme de mille francs montant de sa créance; faisant droit a la requête du sieur Bertrand, ordonne que les frais de fo

(Le Président impatienté) Au fait, maitre Barbotteau, au fait !… (Me. Barbotteau) au fait, au fait hé bien le fait est un enfant fait, celui qui la fait, nie le fait, voilà fait !….

LA PLAINTE EN ADULTÈRE. "Magistrats, mon client est sûr de son fait. Mais cette conviction personnelle ne lui suffisait pas; il fallait encore qu'il la fît partager à votre tribunal, au nombreux auditoire qui nous entoure…. à la France entière. Te

(Le président.) Vous avez eu des moyens d'existence, qu'en avez-vous fait ? (Le prévenu.) J'ai existé avec…

Mr. Tout affaires, avocat sans causes, se donne l'air empressé, et renverse, chaque jour, dans la salle des pas perdus, une douzaine de moutards, écrase cinq ou six carlins, et espère grace à cette gymnastique, faire croire à ses nombreux clients.

- Accusé! avez-vous quelques moyens d'existence?...- Mais, merci, mon président.... l'estomac est assez bon.

UNE DEMANDE EN SÉPARATION. - Mon client n'est pas un des maris présomptueux qui viennent se vanter devant vous d'avoir été trompés par leur femme, sans avoir autre chose que de vagues soupçons.... grâce au ciel nous avons des preuves... nous en avo

- "La cour, vidant le déliberé, et adjugeant le profit du défaut, met l'appellation, et ce dont est appel au néant, emendant quant à ce, corrigeant réformant la sentence des premiers juges, décharge l'appelant, condamne l'intimé aux dépens de l'i

Allons donc, chers confrères... vous avez tort de vous disputer hors de l'audience... ce lieu ci doit être la salle des pas perdus pour les plaideurs... mais jamais les avocats ne doivent y perdre des paroles...

- Oui, on veut dépouiler cet orphélin, que je ne qualifie pas de jeune, puis qu'il a cinquante sept ans, mais il n'en est pas moins orphelin.... je me rassure toute fois, messieurs, car la justice a toujours les yeux ouverts sur toutes les coupables men

Dites donc, confrère, vous allez soutenir aujourd'hui contre moi absolument ce que je plaidais il y a trois semaines, dans une cause identique... hé hé hé!... c'est drôle!... Et moi je vais vous redebiter ce que vous me ripostiez à cette époque...

Mr. Le juge de paix a rendu sa décision, les parties sont censées conciliées.

- Nous avons grande représentation aujourd'hui, M'sieu Galuchet!... - Parbleu j'crois bien... un assassinat orné de viol!...

Grand escalier du Palais de justice, Vue de faces.

- Il parait décidément que mon gaillard est un grand scélérat ... tant mieux... si je parviens à le faire acquitter, quel honneur pour moi!...

L'avocat. - L'Affaire marche, l'affaire marche! Le plaideur. - Vous me dites cela depuis quatre ans; si elle marche encore longtemps comme ça, je finirai par n'avoir plus de bottes pour la suivre!...

Ils ont tous des cliens... moi seul n'en ai pas! il faudra que je finisse par commettre quelque forfait pour avoir enfin la satisfaction de me confier ma défense!

- Je crois vous avoir suffisamment prouvé que mon client a été trompé, retrompé, archi trompé par sa femme, il ne peut plus rester le moindre doute à personne a cet égard...

- Ne soyez pas inquiets... je réponds de votre affaire... je suis normand comme vous.

- Eh bien, mon cher, vous avez perdu, vous qui aviez affirmé à votre client que vous gagneriez. - Eh bien oui, en plaidant sa cause j'ai gagné... cinq cents francs.

- Je vais bien arranger votre client!... - Je trainerai le vôtre dans la boue!... (Ayez donc des procès, - note d'un Philosophe).

Un plaideur auquel manquent malheureusement les pièces les plus importantes, les pièces de cent sous.

- Votre client est un gredin qui a assassiné six femmes et vous comptez sur des circonstances atténuantes. - Parbleu!..... le jury n'est composé que d'hommes mariés.

The Dead Horse

Untitled (Lake Winnipeg)

Untitled (The Winder)

Mrs. Arbuthnot

- Je ne vois pas pourquoi on ne nous nommerait pas aussi un de ces jours, membres du conseil de surveillance... ça n'est pas difficile d'avoir un air de dignité... voici comme il suffit de se poser!...

Untitled (Lot and His Daughters)

Masques et Visages

The Rev. D William Gilpin, A.M.

Untitled (Village Scene)

The Mill Feed

Herring Market

Untitled (Bull)

Winter Garden - Wild Aster

Untitled (Circus Person)